Clan of

the Painted Lady












A Hakka-Canadian filmmaker traces her family's past in Kolkata, India and confronts the impact of migration on identity and family, exploring the space between generations where culture hangs in the balance.












The Hakka are descendants of northern Chinese nomads whose origins are unknown and whose name means ‘guest family’. Over centuries of war and upheaval, they migrated south through China and eventually across the globe.

Clan of the Painted Lady follows my personal journey from China to Canada to India, to discover why we move and how we keep our heritage alive whilst adapting to new places. With an ensemble of Hakka voices from around the world, the film explores how culture is transmitted from one generation to another, and the challenge of defining identity within a diaspora. 
Through my own story, I explore the weight of parent-child separation which migration often entails, and the loss and disconnection that must somehow be healed. 

As we begin new lives in new places, what do we hold on to—and what must we let go of? Will we be able to remember who we are as we move through the world?




DIRECTOR BIOGRAPHY


Jennifer Chiu is an award-winning writer, director, producer and documentary researcher living in Vancouver, British Columbia. Her films have screened at festivals around the world including DOK Leipzig, Edinburgh Film Festival, Festival du Nouveau Cinéma, Mill Valley Film Festival, and the Vancouver International Film Festival. She recently completed her first feature documentary, Clan of the Painted Lady.












DIRECTOR’S STATEMENT

I grew up without my father, who lived most of his life in Kolkata, India where our ancestors settled nearly 100 years ago. Over the last few years of visiting him in India before he moved back to Canada, I watched Tangra, the home of our Hakka-Chinese community, be demolished and developed at a rapid pace. I could feel how close we were to losing the last physical remnants of our history.

As a Chinese-Canadian person born in India, I spent a lot of my early life feeling disconnected from all the places where my life had landed. As I became more curious about my family story, I realized how much had already been lost or forgotten, including my ability to speak Hakka. As the imminent disappearance of our community in India loomed, I was left wondering, what’s left of us when it’s gone? How do we remember ourselves in the face of so much erasure?

My desire to remember compelled me to make this film. It taught me that culture lives or dies in the delicate space between generations. One severed tie may augur many cycles of loss and disconnection, because it only takes one generation to forget.
I believe that choosing to remember the journeys, teachings, stories and recipes of our ancestors is a radical act. It is an antidote for the loss of language, culture and collective memory that is endemic across the world today.

If I had one wish for the film, it would be that a few people might become curious about their own cultures and families and start asking questions before it’s too late. As my film testifies, relationships with family and community aren’t easy, but they offer something immeasurable: a root system that keeps us grounded and connected no matter where we are or choose to go.










SPECIFICATIONSTITLE            Clan of the Painted Lady

YEAR OF PRODUCTION            2025

DURATION            101 min

COUNTRY OF PRODUCTION            Canada

GENRE            Documentary

SHOOTING FORMAT            Digital

FINISH FORMAT            DCP

ASPECT RATIO            1.66

SOUND FORMAT            Stereo

LANGUAGE            English, Hakka, Bengali

SUBTITLES            English, Traditional Chinese

ACCESSIBILITY            Closed Captioning and  Descriptive



ASSETSPOSTER

ELECTRONIC PRESS KIT

TRAILER


BEHIND THE SCENES

Photo, Jennifer Chiu
Photo, Yuenkee Liao
Photo, Yuenkee Liao
Photo, Yuenkee Liao
Photo, Jennifer Chiu
Photo, Jennifer Chiu
Photo, Yuenkee Liao
Photo, Yuenkee Liao
Photo, Yuenkee Liao
Photo, Jennifer Chiu
Photo, Jennifer Chiu
Photo, Yuenkee Liao
Photo, Yuenkee Liao
Photo, Jennifer Chiu
Photo, Yuenkee Liao
    





CREDITS

Jennifer Chiu,Director, Producer

Jennifer Chiu is an award-winning writer, director, producer and documentary researcher living in Vancouver, British Columbia. Her films have screened at festivals around the world including DOK Leipzig, Edinburgh Film Festival, Festival du Nouveau Cinéma, Mill Valley Film Festival, and the Vancouver International Film Festival. She recently completed her first feature documentary, Clan of the Painted Lady.


Bradley Scott Keeling,Creative Producer

Bradley Scott Keeling is a writer, director and producer based out of Vancouver British Columbia. He has produced and directed two short films, SHAPE AND FORM (2017) and MONOMATH (2019). He currently works in cooperation with PRAXIS, a commercial film production studio specializing in fashion based content.


Sarah Jane Flynn,Consulting Producer

Sarah Jane is a leading media executive with two decades of experience in developing, producing and programming hit content for television and digital platforms. Sarah Jane has held senior roles in large production companies and at Canada’s leading broadcasting entities. She has overseen award-winning original content for brands like Global, History and National Geographic among many others. Sarah Jane holds a joint MBA from the Kellogg School of Management at Northwestern University and the Schulich School of Business at York University.



Mel D’Souza,Producer

Mel D’Souza has a career spanning over 28 years in the media and entertainment industry, with both North American and international experience. He is a documentary producer with eight documentary credits to his name, with a number currently in development.



Antonia Ramirez,Cinematographer

Antonia Ramirez is a Colombian-Canadian cinematographer with a 
background in Sustainable Community Development. She graduated from Simon Fraser University with a BFA in Film Production in 2021 and was a participant in the 2021 CSC Mentorship Program.

Antonia recently shot Fallen Bird, a short narrative film shot in Kyiv, Ukraine exploring themes of human love, connection, and re-discovery during times of war; Ask the Plantain, an experimental documentary set in Greece that delves into ancestry and colonization; and Afande, a short documentary made in Uganda about General Joram Mugume, a rebel leader in the country’s liberation wars.

Other recent projects include Mouse, a short narrative film exploring youth and social alienation; Backstage, a short about a musicians rise to deity status; Animus Anima, which centres around the intersection of movement, image, and femininity; Smoke Alarms, a reflective music video about childhood which premiered on Eastman Kodak; and Bare Bones, an experimental music film that premiered at MUTEK Montreal and was an official selection at the Toronto Lift-Off Film Festival.

Her short genre film Lost Wax, shot in Lagos, Nigeria, recently completed post-production.



Aynsley Baldwin,Co-writer & Editor

Aynsley Baldwin has been a Vancouver-based editor and member of the local post production community since 2005. Feature works include Madeleine Grant's The Backward Class, which won the Hot Docs Audience Choice Award and the Whistler Film Festival International Documentary Award in 2014, Scooter Corkle's small town murder mystery Hollow in the Land, Whitehorse filmmaker Naomi Mark's poignant personal documentary, How To Bee, and Kate Kroll's biopic Lunatic: The Luna Vachon Story on which Aynsley was also a writer. Clan of the Painted Lady, directed by long-time collaborator Jennifer Chiu, is Aynsley's most recent feature as editor and co-writer.  

In addition to picture editing, Aynsley has worked extensively as a VFX editor with Image Engine, an award-winning Vancouver visual effects studio, on several projects including Logan, Game of Thrones, Spider-Man: Far From Home, The Mandalorian, and Ahsoka.



Scott Gailey & Oscar Vargas,Co-Composers & Co-Sound Designers

Oscar Vargas is a Venezuelan sound designer, supervising sound editor and re-recording mixer established in Vancouver, Canada. His career in audio started back in 2006 in Venezuela where he started his own recording studio. In 2011 he moved to Vancouver to study in Vancouver Film School and has been working in the Film and TV industry ever since. His participation in sound post production ranges from films, commercials, documentaries to TV series. He's know for his work in films such as: Never Steady Never Still, Hello Destroyer, Seagrass and Longlegs. His work has been screened in festivals such as TIFF, VIFF, SXSW, Tribeca, and Cannes.

Scott Gailey is a musician, composer and producer based in Vancouver, British Columbia, on the territories of the the xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh (Squamish), and səlilwətaɬ (Tsleil-Waututh) peoples. Gailey has released under his name, under the alias Hotspring, as well as in various collaborations. In his various collaborative and solo projects, his work embraces multiple genres, with an interest in pop, noise, post-musique concrète, ambient composition, spatial audio and psychoacoustics. Recent work includes mixing, mastering, audio production and engineering.



Patrick Gong,Colourist

Patrick Gong is an independent colourist based in Vancouver, BC with a deep sensibility for the emotional truth behind every frame. He has collaborated with brands such as Amazon, Lululemon, Arc'teryx, and more. His work has also been screened at festivals around the world, including scoring prestigious wins at VIFF,  Montreal Festival du Nouveau Cinéma, and the Cannes YDA.






SCREENINGS










Vancouver International Film Festival

Monday, October 6,
6:00 pm, Fifth Avenue Cinema

Thursday, October 9,
3:30 pm, VIFF Centre







DOK Leipzig

Tuesday, October 28,
5:30 pm, CineStar 7

Thursday, October 30,
12:00 pm, CineStar 5

Sunday, November 2,
2:00 pm,
Passage Kinos Astoria




PRESS

Global News



Playback



Toronto Spark


OmniTV


CBC Radio


SAD Magazine






















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